UGünther Groissböck (ekhohlo) ngobusela ubambe umboniso ovela kuRenée Fleming kwi ‘Der Rosenkavalier’.UKen Howard / iMetropolitan Opera I-opera iMet eyenziwe kwimveliso entsha ye-gala phezolo ibizwa ngokuba IRosenkavalier , kodwa le ntsebenzo inokuthiywa ngokutsha emva kwesihloko sokusebenza isiqwenga sade sada sayokufika kwiphambi lokuqala lonyaka we-1911: Ox kwiLerchenau . Elo ligama elinzima lomboniso, umntu oza kuba nguDon Juan oskimu sakhe sokutshata ngemali siphazanyiswa luthando lokwenene lwengoduso yakhe.
Ngokwesiqhelo loo ndima igutyungelwe ngamalungu anombulelo kunye novelwano kubafazi uRichard Strauss noHugo von Hofmannsthal abayilelwe lo mdlalo weemvakalelo. KwiMet, nangona kunjalo, oku kusuka ekuqaleni ukuya esiphelweni seOchs Show, enkosi kwintsebenzo eyonwabisayo kunye nevuselelayo yi-bass uGünther Groissböck.
Yintoni eyenza uGroissböck ahlekise kakhulu kukuba, zombini ngokubonakala kunye nentshukumo yeqonga, lilonke irhamncwa elinomtsalane. Ingqondo yomlingiswa yokuziva unelungelo lokufumana ilungelo elinye kube nengqondo egqibeleleyo: xa ujonga oku kushushu, kutheni uzikhathaza ngokufunda isimilo esihle?
Ngapha koko, ucula indawo etyhwatyhayo kunye nebanzi ngobunono obungenabukrelekrele kubonakala ngathi uyagungxula ngelizwi. Izinto ezininzi ezihlekisayo aziphumelelayo aziveli nakuphi na ukusilela emzimbeni-yayingeyiyo i-Ochs enjalo schmuck, wayeya kuba yinto efanelekileyo yokubamba-kodwa ke kunqwenela ukuba abaphulaphuli babone le mpundu.
Enye inkcazo yokusebenza kweenkwenkwezi kukuba zombini idlula eyona nto uyilindeleyo kwaye, ngokungathandabuzekiyo, ikushiya ungcungcuthekisa ngakumbi. Ke mna, ndichithe uninzi lwendlela engaphantsi kwendlela ekhwela ekhaya ukusuka kwi-Met ndiphupha ngendima enkulu endifuna ukuba uGroissböck acule apha.
Ngaphantsi kwezinye iimeko, u-mezzo u-Elina Granaca ngokulula wayenokuba nebhongo lendawo kwindima yokunxiba umnqamlezo ka-Octavian, indoda esisidwangube esincinci eyimbangi yothando kaOchs. Ilizwi lakhe, elipholileyo kodwa eliqaqambileyo, libonisa ubuqili, kunye ne-antics yakhe enesidima kwisenzo sesithathu-xa umfana wayenxiba njengegumbi lentombazana elinobuchwephesha ukuze ahlekise ii-Ochs ezinomdla-babenomsindo njengayo nayiphi na into I-La Cage aux Folles .
Ukudibana nentloko yakhe yayingu-Erin Morley njengo-Octavian othandekayo uSophie, wadlala kwakanye hayi njengentloko yomoya kodwa njenge-danteant yangamabomu, iqabane elifanelekileyo elithandanayo le-knight young knight. Nangona i-soprano yakhe ephezulu ingahlukanga ngokukodwa, waqala wenyuka ngomculo we-gossamer enobuchule obungathandekiyo. I-Baron Ochs (Günther Groissböck) ihamba kakuhle ngokutsala intombi yasekhaya uOctavian (Elīna Garanca).UKen Howard / iMetropolitan Opera.
I-cast-kakuhle kwaye inolwazi lwalolu hlobo Rosenkavalier ukuba ibinokuba yeyonaphakade, kodwa isithuba sokuphumla esikumbindi wayo. Kwinto eqondwa ngokubanzi njengokuvalelisa kwakhe kwi-opera esemgangathweni kwi-Met, u-soprano u-Renée Fleming wabonakala njengo-Marschallin, umthandi we-Octavian wehlabathi omkhulula ngokukhululekileyo ukuba afumane ulonwabo noSophie omncinci.
Ilizwi lakhe lihlala lihlambalaza, ujongeka emuhle eqongeni kwaye wavula ibinzana lokuvula le trio yokugqibela enesidima ngengqondo yokuphelelwa lixesha. Kodwa iFleming yayiyinto yonke ecwebezelayo; yohlobo oluntsonkothileyo nolushukumisayo lweMarschallin watyhila ecaleni kwento.
Ayisiyonto ingako yokwenza into nganye, nangona i-repertoire yakhe ye-onstage ichaphazela ayiqulathanga ngaphezulu kwe-wistful kunye ne-morose, kodwa endaweni yoko kukusilela kwakhe kukufaka umbala kwilizwi okanye ukuveza isicatshulwa sikaHofmannsthal. Usebenze le ndawo kwaye ayicime ngaphezulu kweminyaka engama-20, kodwa nangalo mhla wokugqibela, kuvakala ngathi kufundwa okokuqala.
Mhlawumbi kungenxa yokuba uFleming ephumelele ngokufutshane kuyo nayiphi na imbonakalo kwi-opera, umlawuli uRobert Carsen wagxila kumaxabiso esiqwenga. Ubukhulu becala iqhinga lakhe lisebenze ngokuqaqambileyo: yayiyeyona nto ihlekisayo Rosenkavalier Ndakhe ndabona. UCarsen wasusa isenzo esivela kwinkulungwane ye-18th yeli libretto ngaphambi nje kweMfazwe yeHlabathi yokuQala, esenza ukuba ezinye iinkcukacha zentshukumo zigxininise kwisimo soburharha phakathi kwabantu abazimeleyo.
Yiyo loo nto isidlo sakusasa sikaMarschallin ebhedini sihanjiswa liqela labasebenzi elaneleyo kubasebenzi abangaphezulu kukaDownton Abbey, kunye notata osisityebi kaSophie uboniswa ebonisa abathengi abanokubakho kwisitokhwe sakhe kurhwebo-izixhobo zomkhosi. I-Ochs ye-innowmarket inn ekhetha ukuba i-hookup yakhe i-brothel epheleleyo kunye ne-queen queen edlala njenge-madam.
Ingcamango kaCarsen eqaqambileyo yayikukucinga ukuba indawo ye-brothel njenge-parody ye-chic boudoir ukusuka kwisenzo sokuqala, ebonisa ukuba u-Ochs 'wokucwangciswa komhla wokudlwengulwa kunye namandla angapheliyo phakathi kwe-Octavian kunye noMarschallin, oneminyaka emdala ngokwaneleyo ukuba abe ngumama, ngokulinganayo ukuphazamisa.
Ngokufanelekileyo isikhalo esikhulu esabulisa umnxeba kaCarsen sasiphendula ubukrwada bakhe, kodwa esona siphoso ndisifumanayo kwesi siqendu kukuba kubonakala ngathi kuthintelwe kakhulu, ngokungathi uCarsen unezimvo ezinkulu nezomeleleyo engqondweni kodwa nangasiphi na isizathu kubo.
Kwakungekho ngcamango ininzi yeengcamango ezinkulu ekuqhubeni kukaSebastian Weigle. Isandi sasiqaqambile kwaye sicocekile, njengepeyinti esandula ukubuyiselwa, kwaye kwakuvuyisa ukuva uninzi lweenkcukacha zika-Strauss ze-orchestral. Ubukhulu becala wayegcina iitempo zidlamkile, ngaphandle kwee-solos ezinkulu zikaFleming, xa yonke into ityibilika ekuhambeni kancinci. (Ndiza kukunika ukuba uqikelele ukuba ngubani owayenombono.
Njengothumelo olukhulu lwe-superstar Fleming, oku Rosenkavalier sisidud esikhulu. Kodwa, enkosi kuGroissböck noCarsen, ikwayindlela yokuqinisa kunye nexhokonxa ingcinga yeklasi yenkulungwane ubudala. Kwaye sesiphi isizathu esingcono sokuba umqhubi we-opera ocinga ukuba abe khona wokuya kwi-Met?
