Isilo esirhabaxa i-Ochs (uGünther Groissböck) sizama ukuhamba kwi-Octavian efihliweyo (Magdalena Kožená).UKaren Almond / Met Opera Kumntu owenze umsebenzi wokuba ukumkanikazi weopera , Bendihlala ndinendawo engaboniyo yenye yeentandokazi ze-gay / camp opera, uRichard Strauss IRosenkavalier .
Inxalenye enkulu yolu phatho, ngokungathandabuzekiyo, kukuba iMetropolitan Opera khange ilusebenzise kakuhle olu qeqesho ngaphezulu kweminyaka engamashumi amathathu ndiseNew York. Ukuvuselelwa kwesiqwenga kuye kwaxutywa ngeendlela ezahlukeneyo ngobukho bomqhubi uJacob Levine (odlala phezulu, obandayo weokhestra), isoprano uRenée Fleming ( gauche kunye nokuzisizela kwindima ephambili ye-Marschallin) kunye no-Nathaniel Merrill omdaka onobungqina obudlulileyo bokufika kwenyanga yokuqala.
Ngapha koko, kuye kwafuneka ndide ndiye eStuttgart ukuze ndifumane indlela eyothusayo yokuthatha lo msebenzi unomdla, inxalenye yesini, inqanaba lobomi obunzima, inxenye yokucinga malunga notshintsho phakathi kweeroma zangoku nezanamhlanje. Kodwa ndonwabile ukutsho ukuba ngolwesiHlanu ebusuku, iMet ekugqibeleni yavula amehlo am kubuhle namandla Rosenkavalier kwimvuselelo ehambisa ubungqongqo bengqondo kunye nokuma ngokwasemphefumlweni kumanyathelo alinganayo.
Umyili oyintloko wolu loyiso nguSimon Rattle, obonisa apha umahluko phakathi kokuqhuba i-opera kunye ekhokelayo i-opera: yonke into yokusebenza (kwanezo zibonwayo) kubonakala ngathi ziyahambelana nokuthatha kwakhe amandla ngokukhawuleza. Kule ngxelo yokuthandana kwabantu abangafaniyo (inene elineminyaka eli-17 ubudala ngokuthandana nenkosazana ekwiminyaka engama-30), ukusetyenziswa kwe-Rattle's kinetic kunye ne-kaleidoscopic yamanqaku kuphakamisa ngokucacileyo uloyiso lolutsha ekupheleni kosuku.
Ayikuko ukuba iitempile zikaRattle zaziphithizela, kodwa endaweni yoko wayegcina ukuqengqeleka nokuba kuhamba kancinci, nangakumbi kumacandelo amanqaku. Imizuzu engama-75 yesenzo sokuqala esintsonkothileyo yabonakala ngathi iyabhabha, kwaye nasemva kwexesha, umculo wokugqibela ongalinganiyo ugcine izakhiwo eziqinileyo. Indumiso ephezulu endinokuyinika le ngcaciso kukuba akukho xesha ekusebenzeni malunga neyure nesiqingatha endakhe ndacinga, qhubeka nayo.
Umculo kaRattle ungqamene ngokwanelisayo nemveliso yobuqili kaRobert Carsen, ichaneke ngakumbi kwaye inentsingiselo ngoku kunakwisiqendu sayo sokuqala kumaxesha amabini adlulileyo. Isiteji sifezekisa umsebenzi omangalisayo wokuthatha iklasikhi eyaqala ukubhengezwa ngo-1911 kwaye sayiguqula yaba sisipili sexesha lethu. Rosenkavalier ebesoloko eyinxalenye yokuhlekisa ngobudoda obunetyhefu (u-Baron Ochs o-boorish uphatha umlingane wakhe omncinci njenge-chattel), kodwa uCarsen uyakwandisa ukugxeka ekuziphatheni kweqhawe elibizwa ngesiqwenga, u-Octavian oselula.
Imizuzu engama-20 yokugqibela yesenzo sokuqala se-opera ikakhulu iluthotho lwemizamo kaMarschallin owalupheleyo yokuthetha ngeemvakalelo zakhe, kwaye kuninzi lokuma, iOctavian ime nje njengeqhuma njengoko isoprano ibambelela. Kodwa uCarsen unomfana ophathaphathayo emva koko ngokungathandabuzekiyo epeyinta isithandwa sakhe, ephazanyiswa yiminqweno yakhe. Kwaye ke ulandelelwano ludlala ngokungathandabuzekiyo: ayisiyiyo kuphela iMarschallin eyaphula intliziyo yakhe, kodwa naye akakhe eve.
Ukugxekwa kwelungelo eliyindoda kudlulela nakwisenzo sokugqibela, xa iOctavian inxiba ngokurhuqa kwi-prank i-Baron egwenxa. Endaweni yokulinganisa intombi elula, njengakwimveliso ezininzi, nantsi iOctavian idlala inqanaba elothusayo lobundlobongela obuphathelele kwezesondo. Unamandla kwaye akathobeli iBaron njengoko wayenjalo ngaphambili neMarschallin.
Eyona nto iphambili kolu toliko yi-bass ka-Günther Groissböck yokuthatha i-Baron, hayi i-roué yesiqhelo kodwa endaweni yayo ibe lilirhamncwa elinobungqingili kwelona xesha lobomi. Nantsi into ebambekayo engabambekiyo yeBaron kunye nokuhamba ayisiyonto ehlekisayo kuba (kube kanye) ithwala ityala elinamandla lomngcipheko. Unokucinga ukuba ukuza kwakhe okungathandekiyo kuya kusebenza ngokufuthi ngoku! (Wade wenza elinye lamaxesha akhe obukrelekrele abukeke emtshatweni: isilayidi esixhumaxhuma kwi-satin duvet ukuya kwikona yentombazana ekwelinye icala lesitudiyo sika-Marschallin.
Inkumbulo yam kukuba ilizwi likaGroissböck lavakala kancinci xa wayecula le ndima apha ku-2017; isengumsindo omkhulu, ovakalayo kodwa amanqaku aphantsi angacacanga kwicandelo abonakala okwangoku ukuba angaphandle kwelona banga lakhe lilungileyo.
Okwangoku, wagubungela kancinci amanenekazi amathathu aphambili opera. UMagdalena Kožená uzise ithoni entsha kunye namandla angapheliyo kwindima ye-Octavian, nangona ilizwi lalivakala phantse ngalo lonke ixesha lincinci emva kweokhestra enkulu yeStrauss. I-soprano enombala kaGolda Schultz yacwebezela kakuhle njengengqondi uSophie kwaye wayiphulula amabinzana aphakamileyo aphezulu oMboniso weRose onomtsalane ongacacanga.
Umzobi onomdla ngakumbi wayenomdla kwisoprano uCamilla Nylund kwindima enzima yeMarschallin. Ngethamsanqa bobabini bajongeka kwaye bavakala njengenkcazo yomlinganiswa: umfazi omhle kwaye okrelekrele kubomi obuphakathi. Emva kweminyaka engaphezulu kwamashumi amabini ekhombisa ukuba uyasebenza, i-soprano yakhe ebonakalayo ibonisa iimpawu ezincinci zokunxiba. Wayekwincopho yakhe kwi-monologues esondeleyo, ebonakalisa ukuphela kwesenzo sokuqala, indawo yakhe epholileyo ebonisa ukuba uthintelo lukatatriki kwanangexesha lokuphumelela ngokweemvakalelo.
Imbinana yamanye ama-debuts nawo abonisa umdla, ngakumbi, u-Markus Eiche, i-baritone enamandla kunye ne-assertive njengo-Sophie's hectoring father uFaninal, kunye no-Alexandra LoBianco, owomeleleyo kumatye e-wild leaps kunye ne-swoops eyabelwe i-fluttery duenna uMarianne.
I-soprano engasekhoyo uLeonie Rysanek, itoliki ebhiyozelwayo yeMarschallin, ukhe wachaza isimbo esifanelekileyo sokwenza lo mdlalo uhlekisayo: Iliso elinye limanzi kwaye elinye ilomile. Obo bunzima buchaphazela ngqo indlela endisabela ngayo koku Rosenkavalier : I-nostalgia ekrakra yexesha elidlulileyo eligqunywe lithemba eliqaqambileyo ngekamva lenkampani eyibonisileyo, iMetropolitan Opera.
